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Decolonizing Nature is an exemplary combination of militant research and contemporary art history that will resonate with activists on the front lines as much as those working in the art field, reframing the latter as a site of struggle in its own right as we come to terms with the so-called Anthropocene.'' --Yates McKee, author of ''Strike Art ...

Art historian T. J. Demos, author of Return to the Postcolony: Specters of Colonialism in Contemporary Art (2013), considers the creative proposals of artists and activists for ways of life that bring together ecological sustainability, climate justice, and radical democracy, at a time when such creative proposals are urgently needed.

Demos co-curated Rights of Nature: Art and Ecology in the Americas, at Nottingham Contemporary in January 2015, and organized Specters: A Ciné-Politics of Haunting, at the Reina Sofia Museum in Madrid in 2014.

‘Eco’ awareness has had an enormous impact across all cultural and political spectrums, not least in the art world. This accessible and thought-provoking book is the first in-depth exploration of the ways in which contemporary artists are confronting nature, the environment, climate change and ecology.

(4) Nicholas Mirzoeff, “It’s Not the Anthropocene, It’s the White Supremacy Scene, Or, the Geological Color Line,” en After Extinction, ed. Richard Grusin, Minneapolis, University of Minnesota Press, forthcoming, 2016, p.17. (5) T. J. Demos, Decolonizing Nature. Contemporary Art and the Politics of Ecology, Berlin, Sternberg Press, 2016.

(4) TJ Demos, Decolonizing Nature. Contemporary Art and the Politics of Ecology. Contemporary Art and the Politics of Ecology. ( Berlin, Alemania: Sternberg Press, 2016), p.

Return to the Postcolony - Specters of Colonialism in Contemporary Art Sternberg Press: T. J. Demos: Libros en idiomas extranjeros. Saltar al contenido principal . Prueba Prime Hola, Identifícate Cuenta y listas Identifícate Cuenta y listas Pedidos Suscríbete a Prime Cesta ...

Sternberg July 2016 - Free download as PDF File (.pdf), Text File (.txt) or read online for free. Sternberg July 2016

Demos co-curated Rights of Nature: Art and Ecology in the Americas, at Nottingham Contemporary in January 2015, and organized Specters: A Ciné-Politics of Haunting, at the Reina Sofia Museum in Madrid in 2014.

nature talking about politics, in what is a conversation between them, a conversation which seems to be waiting for a change, regarding what each thing “is” and represents: the human or the construction of new paradigms of the body on the basis of technology and the artifice of nature; nature activated by human actions, with a permanent

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Demos es un crítico cultural y profesor del Departamento de Historia del Arte y Cultura Visual de la Universidad de California en Santa Cruz, donde también es director del Center for Creative Ecologies. Demos escribe sobre arte contemporáneo y política internacional; entre sus publicaciones recientes se encuentran The Migrant Image: The Art and Politics of Documentary During Global ...

En su larga y variada trayectoria, C. S. Leigh ha trabajado en la moda, ha sido editor de Artforum, ha comisariado exposiciones, escrito más de una docena de libros, colaborado con numerosas revistas y periódicos (incluyendo Atlántica), creado performances y dirigido decisión de centrarse en la creación fílmica ha dado como resultado una producción de gran rigor que abarca ...

Revista Chilena de Derecho, vol. 41 Nº 1, pp. 7 - 36 [2014] 7 DE LAS COSAS COMUNES A TODOS LOS HOMBRES NOTAS PARA UN DEBATE OF THE COMMONS THINGS TO ALL MEN NOTES FOR A DEBATE RODRIGO MÍGUEZ NÚÑEZ* RESUMEN: A partir de la crítica a la expansión de la propiedad privada en áreas considera- das esenciales para la existencia y perfeccionamiento de la persona, el presente estudio ofrece ...

Desviar la inercia. Ana Alenso, Venezuela. Saco 8, Antofagasta, Chile – 2019. Vídeo cortesía de la artista. Texto de Rodolfo Andaur: La artista visual venezolana Ana Alenso ha participado, a lo largo de su carrera, en un par de residencias de investigación que le han presentado las cicatrices del violento extractivismo de los recursos naturales en diferentes puntos del planeta.

Against the Anthropocene: Visual Culture and Environment Today: Demos, T J: Libros

It explores the implications of this case study methodologically through discursive, artistic and activist practices that are ethico-politically responsive and environmentally engaged and that bear, in T. J. Demos’ words, “the potential to both rethink politics and politicize art’s relation to ecology”. While the project focuses on the ...

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1 Marcela Armas Durango, Dgo. Mexico, 1976. Studies • Escuela de Artes Plásticas de la Universidad de Guanajuato. México. • Facultad de Bellas Artes de San Carlos de la Universidad Politécnica de Valencia, España Grants/ Supports / Residencies • Miembro del Sistema Nacional de Creadores de Arte, FONCA, 2016 • La Región del Espacio.

Museum of Tomorrow - Free download as PDF File (.pdf), Text File (.txt) or read online for free. Demos

(1) DEMOS, T. J. Decolonizing Nature: Contemporary Art and the Politics of Ecology. Sternberg Press, Berlín, 2016. P. 19. Saco 8, Antofagasta, Chile – 2019. Vídeo cortesía de la artista.

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Las películas de Maddin absorben al espectador inmediatamente al mismo tiempo que su complejidad resulta agotadora. Dejan una impresión perdurable de un mundo efímero y distanciado, extrañamente cercano al nuestro —como una sombra profunda de él—. Nuestro propósito es reflexionar sobre esta impresión, dando cuenta de cómo la obra del cineasta canadiense logra este efecto. Su arte ...

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The spiral nature is also present at a thematic level since, as was said for the transversal themes, these are resumed in each grade allowing for a deeper approach to the same. Lastly, this suggested curriculum has a proportional organization of abilities that is in accordance with the changing needs of students and their intellectual development, their level of autonomy and the competences ...

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1 Bibliografía 1 Referencias Bibliográficas2 Bibliografía 2 AA. VV. (1988). Las cuatro esquinas

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Este artículo acusa que historiadores y críticos de las dramaturgias chilenas del S. XX padecen de agorafobia: pavor súbito a los espacios ajenos. Esto porque, en sus trabajos, desatienden espacios de producción teatral situados en los extramuros de los campus universitarios. De acuerdo con este diagnóstico, se proponen claves para una agenda de investigación atenta a reconstruir ...

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Processes of Knowledge Production in Social Movements as Multi-Level Power Dynamics Article in Sociology Compass 2(6):1934 - 1953 · October 2008 with 36 Reads How we measure 'reads'

This essay examines recent British poetry informed by Concrete and ‘open-field’ poetics which engages with landscape through experimentation with the spatiality of the poetic page.

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